Skip Navigation

Music and Letters 2007 88(2):226-265; doi:10.1093/ml/gcl113
This Article
Right arrow Full Text
Right arrow Full Text (PDF)
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Steblin, R.
Right arrow Articles by Stocken, F.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

© The Author (2007). Published by Oxford University Press. All rights reserved.

Studying with Sechter: Newly Recovered Reminiscences about Schubert by his Forgotten Friend, the Composer Joseph Lanz

Rita Steblin and Frederick Stocken*

Correspondence: *Vienna; email: rsteblin{at}hotmail.com; and University of Manchester; email: Frederick.Stocken{at}tiscali.co.uk.


   Abstract

Joseph Lanz is known solely for his part in one of the most mysterious incidents in Schubert's life: accompanying the composer, just two weeks before his untimely death, to the first and only lesson in a doomed course of study with Simon Sechter. Although Otto Erich Deutsch knew that Lanz had written an account of his friendship with Schubert, it was thought to be lost. The newly recovered rough draft of Lanz's reminiscences, presented here in both the original German and an annotated translation, is important not only because it reveals new biographical details about Schubert, but also because music itself—Schubert's compositions, his musical opinions, and technical discussions about compositional technique—is the dominant topic. Archival research establishing new biographical facts about Lanz is included, and this new primary source is discussed within the context of the previously known descriptions of Schubert's decision to study with Sechter. Lanz typifies the shocking early attitude to Schubert, seeing him as a good ‘natural’ composer, who was nevertheless lacking in technical ability.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?




Disclaimer:
Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues. All efforts have been made to ensure accuracy, but the Publisher will not be held responsible for any remaining inaccuracies. If you require any further clarification, please contact our Customer Services Department.