Music and Letters -- Table of Contents (2002, 83 [2])

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Contents: Volume 83, Number 2, 2002 [Index by Author]
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Articles

James Garratt: Performing Renaissance Church Music in Nineteenth-Century Germany: Issues and Challenges in the Study of Performative Reception
Music and Letters 2002 83: 187-237; doi:10.1093/ml/83.2.187 [Abstract] [PDF] [Request Permissions]

Derek B. Scott: The Music-Hall Cockney: Flesh and Blood, or Replicant?
Music and Letters 2002 83: 237-259; doi:10.1093/ml/83.2.237 [Abstract] [PDF] [Request Permissions]

Pauline Fairclough: The ‘Perestroyka’ of Soviet Symphonism: Shostakovich in 1935
Music and Letters 2002 83: 259-274; doi:10.1093/ml/83.2.259 [Abstract] [PDF] [Request Permissions]

Tim Carter: An American in ...?
Music and Letters 2002 83: 274-279; doi:10.1093/ml/83.2.274 [PDF] [Request Permissions]

David Hiley: Review: Le fonti liturgiche a stampa della Biblioteca musicale L. Feininger presso il Castello del Buonconsiglio di Trento
Music and Letters 2002 83: 279-281; doi:10.1093/ml/83.2.279 [PDF] [Request Permissions]

David Mateer: Review: Music and Musicians in Renaissance Cities and Towns
Music and Letters 2002 83: 281-283; doi:10.1093/ml/83.2.281 [PDF] [Request Permissions]

D. James Ross: Review: Our awin Scottis use: Music in the Scottish Church up to 1603
Music and Letters 2002 83: 283-285; doi:10.1093/ml/83.2.283 [PDF] [Request Permissions]

Patricia Howard: Review: French Baroque Opera: A Reader
Music and Letters 2002 83: 285-286; doi:10.1093/ml/83.2.285 [PDF] [Request Permissions]

Stephen Rose: Review: J. S. Bach's Great Eighteen Organ Chorales
Music and Letters 2002 83: 286-287; doi:10.1093/ml/83.2.286 [PDF] [Request Permissions]

Glen Wilson: Review: The Langloz Manuscript: Fugal Improvisation through Figured Bass
Music and Letters 2002 83: 287-289; doi:10.1093/ml/83.2.287 [PDF] [Request Permissions]

Susan Wollenberg: Review: Carl Philipp Emanuel Bach: Dokumente zu Leben und Wirken aus der zeitgenössischen Hamburgischen Presse (1767–1790)
Music and Letters 2002 83: 290-291; doi:10.1093/ml/83.2.290 [PDF] [Request Permissions]

David Hiley: Review: The English Plainchant Revival
Music and Letters 2002 83: 291-292; doi:10.1093/ml/83.2.291 [PDF] [Request Permissions]

Christopher H. Gibbs: Review: Schubert durch die Brille. The Oxford Bicentenary Symposium 1997: Bericht
Music and Letters 2002 83: 292-294; doi:10.1093/ml/83.2.292 [PDF] [Request Permissions]

Mark Everist: Review: The Diaries of Giacomo Meyerbeer, ii: 1840–1849
Music and Letters 2002 83: 294-300; doi:10.1093/ml/83.2.294 [PDF] [Request Permissions]

Peter Bloom: Review: Hector Berlioz: Critique musicale, 3: 1837–1838
Music and Letters 2002 83: 300-305; doi:10.1093/ml/83.2.300 [PDF] [Request Permissions]

Peter Bloom: Review: Contribution à l'histoire sociale de la musique en France. Hector Berlioz et Edme-Marie-Ernest Deldevez: formation et insertion dans la société du XIXe siècle (1803–1897)
Music and Letters 2002 83: 300-305; doi:10.1093/ml/83.2.300-a [PDF] [Request Permissions]

Peter Bloom: Review: Berlioz Remembered
Music and Letters 2002 83: 300-305; doi:10.1093/ml/83.2.300-b [PDF] [Request Permissions]

Halina Goldberg: Review: L'Univers musical de Chopin
Music and Letters 2002 83: 305-307; doi:10.1093/ml/83.2.305 [PDF] [Request Permissions]

Michael Musgrave: Review: Johannes Brahms: Life and Letters
Music and Letters 2002 83: 307-313; doi:10.1093/ml/83.2.307 [PDF] [Request Permissions]

Michael Musgrave: Review: Brahms Studies 2
Music and Letters 2002 83: 307-313; doi:10.1093/ml/83.2.307-a [PDF] [Request Permissions]

Steven Huebner: Review: ‘Manon’ de Jules Massenet ou Le Crépuscule de l'opéra-comique
Music and Letters 2002 83: 313-315; doi:10.1093/ml/83.2.313 [PDF] [Request Permissions]

Jann Pasler: Review: Jules Massenet: Thaïs. Dossier de presse parisienne (1894)
Music and Letters 2002 83: 315-317; doi:10.1093/ml/83.2.315 [PDF] [Request Permissions]

Julie Brown: Review: Arnold Schönberg und sein Wiener Kreis: Erinnerungen seines Enkels
Music and Letters 2002 83: 317-319; doi:10.1093/ml/83.2.317 [PDF] [Request Permissions]

Robert Adlington: Review: Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater
Music and Letters 2002 83: 319-321; doi:10.1093/ml/83.2.319 [PDF] [Request Permissions]

Jonathan P. J. Stock: Review: Echoes of History: Naxi Music in Modern China
Music and Letters 2002 83: 322-324; doi:10.1093/ml/83.2.322 [PDF] [Request Permissions]

Richard Freedman: Review: Four-Voice Motets from the Motetti del fiore Series: Part II
Music and Letters 2002 83: 324-326; doi:10.1093/ml/83.2.324 [PDF] [Request Permissions]

Christopher R. Wilson: Review: Italian Madrigals Englished (1590)
Music and Letters 2002 83: 326-327; doi:10.1093/ml/83.2.326 [PDF] [Request Permissions]

Christopher R. Wilson: Review: Sacred Hymnes of 3. 4. 5. and 6. Parts (1615)
Music and Letters 2002 83: 327-328; doi:10.1093/ml/83.2.327 [PDF] [Request Permissions]

Ann van Allen-Russell: Review: Sinfonia Op. 6/2 D-Dur; Sinfonia Op. 6/4 B-Dur; Sinfonia Op. 6/5 Es-Dur
Music and Letters 2002 83: 328-330; doi:10.1093/ml/83.2.328 [PDF] [Request Permissions]

Jeremy Barham: Review: Des Knaben Wunderhorn
Music and Letters 2002 83: 330-333; doi:10.1093/ml/83.2.330 [PDF] [Request Permissions]

Peter Dickinson: Review: The Sea-Fairies, Opus 59
Music and Letters 2002 83: 333-335; doi:10.1093/ml/83.2.333 [PDF] [Request Permissions]

Peter Dickinson: Review: Vocal Chamber Music
Music and Letters 2002 83: 333-335; doi:10.1093/ml/83.2.333-a [PDF] [Request Permissions]

Peter Dickinson: Review: Façade Entertainments
Music and Letters 2002 83: 335-338; doi:10.1093/ml/83.2.335 [PDF] [Request Permissions]

David Hunter, Martino Tirimo, Olive Baldwin, Thelma Wilson, Wilhelm Seidel, and Peter Schweinhardt: Correspondence: To the Editors of ‘Music & Letters’
Music and Letters 2002 83: 338-344; doi:10.1093/ml/83.2.338 [PDF] [Request Permissions]

: Books Received
Music and Letters 2002 83: 347-349; doi:10.1093/ml/83.2.347 [PDF] [Request Permissions]