Music and Letters

Articles

John Haines

The First Musical Edition of the Troubadours: On Applying the Critical Method to Medieval Monophony
Music and Letters 2002 83: 351-370; doi:10.1093/ml/83.3.351 [Abstract] [PDF] [Request Permissions]  

Anthony Miller

The Roman Triumph in Purcell's Odes
Music and Letters 2002 83: 371-382; doi:10.1093/ml/83.3.371 [Abstract] [PDF] [Request Permissions]  

Roger Savage

Vaughan Williams, the Romany Ryes, and the Cambridge Ritualists
Music and Letters 2002 83: 383-418; doi:10.1093/ml/83.3.383 [Abstract] [PDF] [Request Permissions]  

Warwick Lister

New Light on the Early Career of G. B. Viotti
Music and Letters 2002 83: 419-425; doi:10.1093/ml/83.3.419 [Abstract] [PDF] [Request Permissions]  

Matthew Head

Schubert, Kramer, and Musical Meaning
Music and Letters 2002 83: 426-440; doi:10.1093/ml/83.3.426 [PDF] [Request Permissions]  

Mary Remnant

Review: Minstrels and Angels: Carvings of Musicians in Medieval English Churches
Music and Letters 2002 83: 441-443; doi:10.1093/ml/83.3.441 [PDF] [Request Permissions]  

Elizabeth Eva Leach

Review: Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music
Music and Letters 2002 83: 443-447; doi:10.1093/ml/83.3.443 [PDF] [Request Permissions]  

Steven Saunders

Review: Music of the Baroque
Music and Letters 2002 83: 447-448; doi:10.1093/ml/83.3.447 [PDF] [Request Permissions]  

Charles T. Downey

Review: L'Art de bien chanter: Michel Lambert (1610–1696)
Music and Letters 2002 83: 449-453; doi:10.1093/ml/83.3.449 [PDF] [Request Permissions]  

W. Dean Sutcliffe

Review: A Reader's Guide to Haydn's Early String Quartets
Music and Letters 2002 83: 453-454; doi:10.1093/ml/83.3.453 [PDF] [Request Permissions]  

Benjamin Perl

Review: Orientalism, Masquerade and Mozart's Turkish Music
Music and Letters 2002 83: 455-458; doi:10.1093/ml/83.3.455 [PDF] [Request Permissions]  

Charles Dill

Review: Women Writing Opera: Creativity and Controversy in the Age of the French Revolution
Music and Letters 2002 83: 458-460; doi:10.1093/ml/83.3.458 [PDF] [Request Permissions]  

Barry Cooper

Review: Ludwig van Beethovens Konversationshefte, 11
Music and Letters 2002 83: 460-462; doi:10.1093/ml/83.3.460 [PDF] [Request Permissions]  

John Warrack

Review: Carl Maria von Webers Klaviermusik im Kontext des 19. Jahrhunderts. Bericht des Symposiums der Internationalen Carl Maria von Weber Gesellschaft. Weimar, 21. Oktober 2000
Music and Letters 2002 83: 462-463; doi:10.1093/ml/83.3.462 [PDF] [Request Permissions]  

Peter Ward Jones

Review: Musik zwischen Komponist, Verlag und Publikum: Die Rahmenbedingungen des Musikschaffens in Deutschland im ersten Drittel des 19. Jahrhunderts
Music and Letters 2002 83: 463-465; doi:10.1093/ml/83.3.463 [PDF] [Request Permissions]  

Raymond Monelle

Review: Die Frage als musikalischer Topos: Studien zur Motivbildung in der Musik des 19. Jahrhunderts
Music and Letters 2002 83: 465-466; doi:10.1093/ml/83.3.465 [PDF] [Request Permissions]  

Katharine Ellis

Review: La Grandeur de Bach: l'amour de la musique en France au XIX^e siècle
Music and Letters 2002 83: 467-469; doi:10.1093/ml/83.3.467 [PDF] [Request Permissions]  

Ingrid J. Sykes

Review: Organists and Organ Playing in Nineteenth-Century France and Belgium
Music and Letters 2002 83: 469-472; doi:10.1093/ml/83.3.469 [PDF] [Request Permissions]  

David Kimbell

Review: The Life of Verdi
Music and Letters 2002 83: 472-473; doi:10.1093/ml/83.3.472 [PDF] [Request Permissions]  

Roberta Montemorra Marvin

Review: Verdi-Studien: Pierluigi Petrobelli zum 60. Geburtstag
Music and Letters 2002 83: 474-476; doi:10.1093/ml/83.3.474 [PDF] [Request Permissions]  

Crawford Howie

Review: Metrik und Form bei Bruckner
Music and Letters 2002 83: 476-480; doi:10.1093/ml/83.3.476 [PDF] [Request Permissions]  

John Caldwell

Review: A History of the Oratorio, iv: The Oratorio in the Nineteenth and Twentieth Centuries
Music and Letters 2002 83: 480-482; doi:10.1093/ml/83.3.480 [PDF] [Request Permissions]  

Marcia J. Citron

Review: Unsung: A History of Women in American Music
Music and Letters 2002 83: 482-485; doi:10.1093/ml/83.3.482 [PDF] [Request Permissions]  

Roy Howat

Review: Debussy in Performance
Music and Letters 2002 83: 485-491; doi:10.1093/ml/83.3.485 [PDF] [Request Permissions]  

Matthew Riley

Review: The Art of Performance
Music and Letters 2002 83: 491-492; doi:10.1093/ml/83.3.491 [PDF] [Request Permissions]  

William Drabkin

Review: Ernst Kurths ‘Grundlagen des linearen Kontrapunkts’: Ursprung und Wirkung eines musik-psychologischen Standardwerkes
Music and Letters 2002 83: 492-493; doi:10.1093/ml/83.3.492 [PDF] [Request Permissions]  

Daniel M. Grimley

Review: The Cambridge Companion to Bartók
Music and Letters 2002 83: 493-498; doi:10.1093/ml/83.3.493 [PDF] [Request Permissions]  

John Joubert

Review: Letters of Gerald Finzi and Howard Ferguson
Music and Letters 2002 83: 498-499; doi:10.1093/ml/83.3.498 [PDF] [Request Permissions]  

Alain Frogley

Review: William Walton: Muse of Fire
Music and Letters 2002 83: 499-501; doi:10.1093/ml/83.3.499 [PDF] [Request Permissions]  

Helen M. Greenwald

Review: Opera on Screen
Music and Letters 2002 83: 501-503; doi:10.1093/ml/83.3.501 [PDF] [Request Permissions]  

Mark Carroll

Review: La Vie musicale sous Vichy
Music and Letters 2002 83: 503-505; doi:10.1093/ml/83.3.503 [PDF] [Request Permissions]  

David Fanning

Review: Galina Ustwolskaja: Musik als magische Kraft
Music and Letters 2002 83: 505-506; doi:10.1093/ml/83.3.505 [PDF] [Request Permissions]  

Michael Spitzer

Review: The Sense of Music: Semiotic Essays
Music and Letters 2002 83: 506-509; doi:10.1093/ml/83.3.506 [PDF] [Request Permissions]  

Claire Taylor-Jay

Review: Music, Culture and Society: A Reader
Music and Letters 2002 83: 509-511; doi:10.1093/ml/83.3.509 [PDF] [Request Permissions]  

Robin Stowell

Review: The Countess of Stanlein Restored: A History of the Countess of Stanlein Ex Paganini Stradivarius Cello of 1707
Music and Letters 2002 83: 511; doi:10.1093/ml/83.3.511 [PDF] [Request Permissions]  

Martin Dixon

Review: Representing Musical Time: A Temporal-Logic Approach
Music and Letters 2002 83: 511-514; doi:10.1093/ml/83.3.511-a [PDF] [Request Permissions]  

Benjamin M. Korstvedt, Leanne Langley, and Christina Bashford

To the Editors of ‘Music & Letters’
Music and Letters 2002 83: 515-519; doi:10.1093/ml/83.3.515 [PDF] [Request Permissions]  

The Westrup Prize
Music and Letters 2002 83: 519; doi:10.1093/ml/83.3.519 [PDF] [Request Permissions]  

Books Received
Music and Letters 2002 83: 522-523; doi:10.1093/ml/83.3.522 [PDF] [Request Permissions]  

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