Music and Letters

Articles

Rob C. Wegman

Johannes Tinctoris and the ‘New Art’
Music and Letters 2003 84: 171-188; doi:10.1093/ml/84.2.171 [Abstract] [PDF] [Request Permissions]  

Wendy Heller

‘A Present for the Ladies’: Ovid, Montaigne, and the Redemption of Purcell's Dido
Music and Letters 2003 84: 189-208; doi:10.1093/ml/84.2.189 [Abstract] [PDF] [Request Permissions]  

James Ross

D'Indy's ‘Fervaal’: Reconstructing French Identity at the ‘Fin de Siècle’
Music and Letters 2003 84: 209-240; doi:10.1093/ml/84.2.209 [Abstract] [PDF] [Request Permissions]  

Alain Frogley

Rewriting the Renaissance: History, Imperialism, and British Music since 1840
Music and Letters 2003 84: 241-257; doi:10.1093/ml/84.2.241 [PDF] [Request Permissions]  

Thomas J. Mathiesen

Review: Chroma–Color–Farbe: Ursprung und Funktion der Farbmetapher in der antiken Musiktheorie
Music and Letters 2003 84: 258-261; doi:10.1093/ml/84.2.258 [PDF] [Request Permissions]  

Ian Cross

Review: Musicology and Sister Disciplines: Past, Present, Future. Proceedings of the 16th International Congress of the International Musicological Society, London, 1997
Music and Letters 2003 84: 261-265; doi:10.1093/ml/84.2.261 [PDF] [Request Permissions]  

Kevin O'Regan

Review: Music and Humanism: An Essay in the Aesthetics of Music
Music and Letters 2003 84: 265-269; doi:10.1093/ml/84.2.265 [PDF] [Request Permissions]  

David Hiley

Review: The Study of Medieval Chant: Paths and Bridges, East and West. In Honor of Kenneth Levy
Music and Letters 2003 84: 269-274; doi:10.1093/ml/84.2.269 [PDF] [Request Permissions]  

Elizabeth Eva Leach

Review: Music as Concept and Practice in the Late Middle Ages
Music and Letters 2003 84: 274-278; doi:10.1093/ml/84.2.274 [PDF] [Request Permissions]  

Amanda Glauert

Review: Sunt lacrimae rerum: Untersuchungen zur Darstellung des Weinens in der Musik
Music and Letters 2003 84: 278-280; doi:10.1093/ml/84.2.278 [PDF] [Request Permissions]  

Cecil Adkins

Review: The Eloquent Oboe: A History of the Hautboy 1640–1760
Music and Letters 2003 84: 280-283; doi:10.1093/ml/84.2.280 [PDF] [Request Permissions]  

Susan Wollenberg

Review: ‘Critica musica’: Studien zum 17. und 18. Jahrhundert. Festschrift Hans Joachim Marx zum 65. Geburtstag
Music and Letters 2003 84: 283-284; doi:10.1093/ml/84.2.283 [PDF] [Request Permissions]  

Matthew Head

Review: The Free Fantasia and the Musical Picturesque
Music and Letters 2003 84: 284-290; doi:10.1093/ml/84.2.284 [PDF] [Request Permissions]  

Gabriella Dideriksen

Review: Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick, and the Business of Performance
Music and Letters 2003 84: 290-292; doi:10.1093/ml/84.2.290 [PDF] [Request Permissions]  

Christina Bashford

Review: The Careers of British Musicians 1750–1850: A Profession of Artisans
Music and Letters 2003 84: 292-294; doi:10.1093/ml/84.2.292 [PDF] [Request Permissions]  

John Potter

Review: Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
Music and Letters 2003 84: 294-297; doi:10.1093/ml/84.2.294 [PDF] [Request Permissions]  

John Potter

Review: Metodo pratico di canto italiano per camera in 15 lezioni e un'appendice, [i]: per tenore—soprano; [ii]: per baritono—mezzosoprano
Music and Letters 2003 84: 294-297; doi:10.1093/ml/84.2.294-a [PDF] [Request Permissions]  

John Potter

Review: Traité complet de l'art du chant en deux parties
Music and Letters 2003 84: 294-297; doi:10.1093/ml/84.2.294-b [PDF] [Request Permissions]  

Barry Cooper

Review: Beethoven's Piano Sonatas: A Short Companion
Music and Letters 2003 84: 297-300; doi:10.1093/ml/84.2.297 [PDF] [Request Permissions]  

Clair Rowden

Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848
Music and Letters 2003 84: 300-302; doi:10.1093/ml/84.2.300 [PDF] [Request Permissions]  

Jeffrey Langford

Review: The Music of Berlioz
Music and Letters 2003 84: 302-304; doi:10.1093/ml/84.2.302 [PDF] [Request Permissions]  

Debra H. Sowell

Review: Ballet and Opera in the Age of ‘Giselle’
Music and Letters 2003 84: 304-306; doi:10.1093/ml/84.2.304 [PDF] [Request Permissions]  

James Garratt

Review: K for Köchel: The Life of Ludwig Ritter von Köchel
Music and Letters 2003 84: 307-309; doi:10.1093/ml/84.2.307 [PDF] [Request Permissions]  

Brian Hart

Review: Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800–1945
Music and Letters 2003 84: 309-313; doi:10.1093/ml/84.2.309 [PDF] [Request Permissions]  

Nick Chadwick

Review: Derrick Puffett on Music
Music and Letters 2003 84: 313-317; doi:10.1093/ml/84.2.313 [PDF] [Request Permissions]  

Arnold Whittall

Review: L'École de Vienne
Music and Letters 2003 84: 317-319; doi:10.1093/ml/84.2.317 [PDF] [Request Permissions]  

Barra Boydell

Review: Irish Classical Recordings: A Discography of Irish Art Music
Music and Letters 2003 84: 319-322; doi:10.1093/ml/84.2.319 [PDF] [Request Permissions]  

Nancy Lee Harper

Review: Manuel de Falla and Modernism in Spain, 1898–1936
Music and Letters 2003 84: 322-324; doi:10.1093/ml/84.2.322 [PDF] [Request Permissions]  

Rachel Beckles Willson

Review: The Twentieth-Century String Quartet
Music and Letters 2003 84: 324-327; doi:10.1093/ml/84.2.324 [PDF] [Request Permissions]  

Alain Frogley

Review: William Walton: The Romantic Loner—A Centenary Portrait Album
Music and Letters 2003 84: 327-329; doi:10.1093/ml/84.2.327 [PDF] [Request Permissions]  

Alain Frogley

Review: The Selected Letters of William Walton
Music and Letters 2003 84: 327-329; doi:10.1093/ml/84.2.327-a [PDF] [Request Permissions]  

Peter Dickinson

Review: Lennox Berkeley: A Source Book
Music and Letters 2003 84: 329-333; doi:10.1093/ml/84.2.329 [PDF] [Request Permissions]  

William Brooks

Review: Anarchy
Music and Letters 2003 84: 333-334; doi:10.1093/ml/84.2.333 [PDF] [Request Permissions]  

David Nicholls

Review: Writings through John Cage's Music, Poetry, and Art
Music and Letters 2003 84: 335-336; doi:10.1093/ml/84.2.335 [PDF] [Request Permissions]  

David Nicholls

Review: John Cage: Music, Philosophy, and Intention, 1933–1950
Music and Letters 2003 84: 335-336; doi:10.1093/ml/84.2.335-a [PDF] [Request Permissions]  

Eric Clarke

Review: Ways of the Hand: A Rewritten Account
Music and Letters 2003 84: 336-338; doi:10.1093/ml/84.2.336 [PDF] [Request Permissions]  

Philip V. Bohlman

Review: Out of Whiteness: Color, Politics, and Culture
Music and Letters 2003 84: 338-341; doi:10.1093/ml/84.2.338 [PDF] [Request Permissions]  

W. Dean Sutcliffe

Review: Mozart: Mature Piano Pieces
Music and Letters 2003 84: 342-344; doi:10.1093/ml/84.2.342 [PDF] [Request Permissions]  

Huguette Brassine

Review: Six Sonatas for Harpsichord or Piano Forte with an Accompaniment for a Violin, op. 3 and Six Sonatas for Violoncello (with Keyboard Accompaniment)
Music and Letters 2003 84: 344-345; doi:10.1093/ml/84.2.344 [PDF] [Request Permissions]  

Stephen Downes

Review: Violin Concerto No. 1; Concerto for Orchestra, Symphony No. 3; Passio et mors Domini nostri Iesu Christi secundum Lucam
Music and Letters 2003 84: 345-347; doi:10.1093/ml/84.2.345 [PDF] [Request Permissions]  

Correspondence
Music and Letters 2003 84: 348-349; doi:10.1093/ml/84.2.348 [PDF] [Request Permissions]  

Notes to Contributors
Music and Letters 2003 84: 350-351; doi:10.1093/ml/84.2.350 [PDF] [Request Permissions]  

Books Received
Music and Letters 2003 84: 352-353; doi:10.1093/ml/84.2.352 [PDF] [Request Permissions]  

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