Music and Letters

Articles

Yolanda Plumley

Intertextuality in the Fourteenth-Century Chanson
Music and Letters 2003 84: 355-377; doi:10.1093/ml/84.3.355 [Abstract] [PDF] [Request Permissions]  

Gavin Alexander

The Elizabethan Lyric as Contrafactum: Robert Sidney's ‘French Tune’ Identified
Music and Letters 2003 84: 378-402; doi:10.1093/ml/84.3.378 [Abstract] [PDF] [Request Permissions]  

Mary Ann Parker

Handel's ‘Il trionfo del Tempo e del Disinganno’: A Petrarchan Vision in Baroque Style
Music and Letters 2003 84: 403-413; doi:10.1093/ml/84.3.403 [Abstract] [PDF] [Request Permissions]  

Matthew Riley

Johann Nikolaus Forkel on the Listening Practices of ‘Kenner’ and ‘Liebhaber’
Music and Letters 2003 84: 414-433; doi:10.1093/ml/84.3.414 [Abstract] [PDF] [Request Permissions]  

C. J. Bearman

Percy Grainger, the Phonograph, and the Folk Song Society
Music and Letters 2003 84: 434-455; doi:10.1093/ml/84.3.434 [Abstract] [PDF] [Request Permissions]  

James Garratt

Inventing Realism: Dahlhaus, Geck, and the Unities of Discourse
Music and Letters 2003 84: 456-468; doi:10.1093/ml/84.3.456 [PDF] [Request Permissions]  

Ruth A. Solie

Review: Constructing Musicology
Music and Letters 2003 84: 469-472; doi:10.1093/ml/84.3.469 [PDF] [Request Permissions]  

Roger Wibberley

Review: Counterpoint, Composition, and Musica Ficta
Music and Letters 2003 84: 473-478; doi:10.1093/ml/84.3.473 [PDF] [Request Permissions]  

Helen M. Greenwald

Review: Opera: A History in Documents
Music and Letters 2003 84: 478-481; doi:10.1093/ml/84.3.478 [PDF] [Request Permissions]  

Margaret M. McGowan

Review: Andromède au rocher: fortune théâtrale d'une image en France et en Italie, 1587–1712
Music and Letters 2003 84: 481-483; doi:10.1093/ml/84.3.481 [PDF] [Request Permissions]  

Richard Parish

Review: Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism
Music and Letters 2003 84: 483-485; doi:10.1093/ml/84.3.483 [PDF] [Request Permissions]  

Charles T. Downey

Review: Charles-Hubert Gervais: un musicien au service du Régent et de Louis XV
Music and Letters 2003 84: 485-488; doi:10.1093/ml/84.3.485 [PDF] [Request Permissions]  

William Weber

Review: Painting the Canon's Roar: Music, the Visual Arts and the Rise of an Attentive Public in the Age of Haydn, c.1750 to c.1810
Music and Letters 2003 84: 489-491; doi:10.1093/ml/84.3.489 [PDF] [Request Permissions]  

Winton Dean

Review: Italian Opera in Late Eighteenth-Century London, ii: The Pantheon Opera and its Aftermath 1789–1795
Music and Letters 2003 84: 491-494; doi:10.1093/ml/84.3.491 [PDF] [Request Permissions]  

Richard Bruce

Review: Franz Schuberts ‘Lazarus’ und das Wiener Oratorium zu Beginn des 19. Jahrhunderts
Music and Letters 2003 84: 494-496; doi:10.1093/ml/84.3.494 [PDF] [Request Permissions]  

Mark Everist

Review: The Diaries of Giacomo Meyerbeer iii: 1850–1856
Music and Letters 2003 84: 496-499; doi:10.1093/ml/84.3.496 [PDF] [Request Permissions]  

William Drabkin

Review: Donald Francis Tovey: The Classics of Music. Talks, Essays, and Other Writings Previously Uncollected
Music and Letters 2003 84: 500-502; doi:10.1093/ml/84.3.500 [PDF] [Request Permissions]  

David Mackie

Review: A Most Ingenious Paradox: The Art of Gilbert and Sullivan
Music and Letters 2003 84: 502-505; doi:10.1093/ml/84.3.502 [PDF] [Request Permissions]  

Andrew Lamb

Review: Johann Strauss (Sohn): Leben und Werk in Briefen und Dokumenten, ix: 1898–99
Music and Letters 2003 84: 505-506; doi:10.1093/ml/84.3.505 [PDF] [Request Permissions]  

Maria McHale

Review: The English Musical Renaissance and the Press 1850–1914: Watchmen of Music
Music and Letters 2003 84: 507-509; doi:10.1093/ml/84.3.507 [PDF] [Request Permissions]  

Michael Allis

Review: Elgar's Oratorios: The Creation of an Epic Narrative
Music and Letters 2003 84: 509-511; doi:10.1093/ml/84.3.509 [PDF] [Request Permissions]  

Susan Thomas

Review: Music in Cuba
Music and Letters 2003 84: 511-512; doi:10.1093/ml/84.3.511 [PDF] [Request Permissions]  

Neil Sorrell

Review: The Gamelan Digul and the Prison Camp Musician who Built It: An Australian Link with the Indonesian Revolution
Music and Letters 2003 84: 512-514; doi:10.1093/ml/84.3.512 [PDF] [Request Permissions]  

William Drabkin

Review: Das musikanthropologische Denken von Viktor Zuckerkandl
Music and Letters 2003 84: 515-516; doi:10.1093/ml/84.3.515 [PDF] [Request Permissions]  

David Nicholls

Review: Essential Cowell: Selected Writings on Music by Henry Cowell
Music and Letters 2003 84: 516-517; doi:10.1093/ml/84.3.516 [PDF] [Request Permissions]  

Arnold Whittall

Review: Form and Method: Composing Music. The Rothschild Essays
Music and Letters 2003 84: 517-518; doi:10.1093/ml/84.3.517 [PDF] [Request Permissions]  

Kenneth Kreitner

Review: Musical Society Community Bands of Valencia, Spain: A Global Study of their Administration, Instrumentation, Repertoire and Performance Activities
Music and Letters 2003 84: 519-520; doi:10.1093/ml/84.3.519 [PDF] [Request Permissions]  

Correspondence
Music and Letters 2003 84: 521; doi:10.1093/ml/84.3.521 [PDF] [Request Permissions]  

The Westrup Prize
Music and Letters 2003 84: 522; doi:10.1093/ml/84.3.522 [PDF] [Request Permissions]  

Books Received
Music and Letters 2003 84: 525; doi:10.1093/ml/84.3.525 [PDF] [Request Permissions]  

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