Music and Letters

Articles

Simon Harris

The ‘Kanon’ and the Heirmologion
Music and Letters 2004 85: 175-197; doi:10.1093/ml/85.2.175 [Abstract] [PDF] [Request Permissions]  

Michael Allis

Elgar, Lytton, and the Piano Quintet, OP. 84
Music and Letters 2004 85: 198-238; doi:10.1093/ml/85.2.198 [Abstract] [PDF] [Request Permissions]  

Charles Hamm

The Firebrand of New York: Kurt Weill and his ‘Broadway Operetta’
Music and Letters 2004 85: 239-254; doi:10.1093/ml/85.2.239 [PDF] [Request Permissions]  

Keith Polk

Review: Gegeven den sangeren: Meerstemmige muziek bij de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch in de zestiende eeuw
Music and Letters 2004 85: 255-257; doi:10.1093/ml/85.2.255 [PDF] [Request Permissions]  

Roger Bowers

Review: The Monteverdi Vespers of 1610: Music, Context, Performance
Music and Letters 2004 85: 257-269; doi:10.1093/ml/85.2.257 [PDF] [Request Permissions]  

Laurie Stras

Review: Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575–1700
Music and Letters 2004 85: 269-270; doi:10.1093/ml/85.2.269 [PDF] [Request Permissions]  

Robert R. Holzer

Review: Sebastiano Baldini (1615–1685): le poesie per musica nei codici della Biblioteca Apostolica Vaticana
Music and Letters 2004 85: 270-277; doi:10.1093/ml/85.2.270 [PDF] [Request Permissions]  

Gregory S. Johnston

Review: Beiträge zur Musikgeschichte Hamburgs vom Mittelalter bis in die Neuzeit
Music and Letters 2004 85: 277-278; doi:10.1093/ml/85.2.277 [PDF] [Request Permissions]  

Stephen Rose

Review: Bach's Well-Tempered Clavier: The 48 Preludes and Fugues
Music and Letters 2004 85: 278-280; doi:10.1093/ml/85.2.278 [PDF] [Request Permissions]  

J. Bunker Clark

Review: Bach in America
Music and Letters 2004 85: 280-281; doi:10.1093/ml/85.2.280 [PDF] [Request Permissions]  

David Grayson

Review: Mozart's Piano Concertos
Music and Letters 2004 85: 281-285; doi:10.1093/ml/85.2.281 [PDF] [Request Permissions]  

James Garratt

Review: Music and German National Identity
Music and Letters 2004 85: 285-295; doi:10.1093/ml/85.2.285 [PDF] [Request Permissions]  

James Garratt

Review: Carl Maria von Weber and the Search for a German Opera
Music and Letters 2004 85: 285-295; doi:10.1093/ml/85.2.285-a [PDF] [Request Permissions]  

W. Dean Sutcliffe

Review: Muzio Clementi: Studies and Prospects
Music and Letters 2004 85: 295-300; doi:10.1093/ml/85.2.295 [PDF] [Request Permissions]  

Patrick McCreless

Review: Chromatic Transformations in Nineteenth-Century Music
Music and Letters 2004 85: 300-307; doi:10.1093/ml/85.2.300 [PDF] [Request Permissions]  

Robin Wallace

Review: Beethoven-Rezeption in Frankreich: Von ihren Anfangen bis zum Untergang des Second Empire
Music and Letters 2004 85: 307-309; doi:10.1093/ml/85.2.307 [PDF] [Request Permissions]  

Alexander Rehding

Review: Virtuosity and the Musical Work: The Transcendental Studies of Liszt
Music and Letters 2004 85: 309-311; doi:10.1093/ml/85.2.309 [PDF] [Request Permissions]  

Arnold Whittall

Review: Interpreting Wagner
Music and Letters 2004 85: 311-314; doi:10.1093/ml/85.2.311 [PDF] [Request Permissions]  

Arnold Whittall

Review: Wagner's Meistersinger: Performance, History, Representation
Music and Letters 2004 85: 315-317; doi:10.1093/ml/85.2.315 [PDF] [Request Permissions]  

Linda B. Fairtile

Review: Giuseppe Verdi: ‘La traviata’. Schizzi e abbozzi autografi/Autograph Sketches and Drafts
Music and Letters 2004 85: 317-320; doi:10.1093/ml/85.2.317 [PDF] [Request Permissions]  

Richard Langham Smith

Review: Camille Saint-Saëns 1835–1921: A Thematic Catalogue of his complete Works, i: The Instrumental Works
Music and Letters 2004 85: 320-321; doi:10.1093/ml/85.2.320 [PDF] [Request Permissions]  

Martin Adams

Review: Charles Villiers Stanford: Man and Musician
Music and Letters 2004 85: 321-325; doi:10.1093/ml/85.2.321 [PDF] [Request Permissions]  

Martin Adams

Review: Charles Villiers Stanford
Music and Letters 2004 85: 321-325; doi:10.1093/ml/85.2.321-a [PDF] [Request Permissions]  

Daniel M. Grimley

Review: ‘Oh, my horses!’ Elgar and the Great War
Music and Letters 2004 85: 325-329; doi:10.1093/ml/85.2.325 [PDF] [Request Permissions]  

Michael Hurd

Review: Percy Whitlock, Organist and Composer: A Biographical Study
Music and Letters 2004 85: 329-330; doi:10.1093/ml/85.2.329 [PDF] [Request Permissions]  

Renée Chérie Clark

Review: Vaughan Williams's Ninth Symphony
Music and Letters 2004 85: 331-332; doi:10.1093/ml/85.2.331 [PDF] [Request Permissions]  

Neil Lerner

Review: Copland Connotations
Music and Letters 2004 85: 332-335; doi:10.1093/ml/85.2.332 [PDF] [Request Permissions]  

David Nicholls

Review: Conversing with Cage
Music and Letters 2004 85: 335-336; doi:10.1093/ml/85.2.335 [PDF] [Request Permissions]  

Arnold Whittall

Review: Cinquante ans de modernité musicale: de Darmstadt à l'IRCAM. Contribution historiographique à une musicologie critique
Music and Letters 2004 85: 336-339; doi:10.1093/ml/85.2.336 [PDF] [Request Permissions]  

Mervyn Cooke

Review: The Cambridge Companion to Blues and Gospel Music
Music and Letters 2004 85: 339-342; doi:10.1093/ml/85.2.339 [PDF] [Request Permissions]  

Sandra Mangsen

Review: Musical Performance: A Guide to Understanding
Music and Letters 2004 85: 342-346; doi:10.1093/ml/85.2.342 [PDF] [Request Permissions]  

Notes To Contributors
Music and Letters 2004 85: 347; doi:10.1093/ml/85.2.347 [PDF] [Request Permissions]  

Miscellaneous
Music and Letters 2004 85: 348; doi:10.1093/ml/85.2.348 [PDF] [Request Permissions]  

Books Received
Music and Letters 2004 85: 349-351; doi:10.1093/ml/85.2.349 [PDF] [Request Permissions]  

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