Music and Letters

Articles

Kerry McCarthy

William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary
Music and Letters 2004 85: 353-367; doi:10.1093/ml/85.3.353 [Abstract] [PDF] [Request Permissions]  

Robert Toft

Rendering the Sense More Conspicuous: Grammatical and Rhetorical Principles of Vocal Phrasing in Art and Popular/Jazz Music
Music and Letters 2004 85: 368-387; doi:10.1093/ml/85.3.368 [Abstract] [PDF] [Request Permissions]  

Christopher Wiley

‘When a woman speaks the truth about her body’: Ethel Smyth, Virginia Woolf, and the Challenges of Lesbian Auto/biography
Music and Letters 2004 85: 388-414; doi:10.1093/ml/85.3.388 [Abstract] [PDF] [Request Permissions]  

Nicholas Cook

Review: Musical Meaning: Toward a Critical History
Music and Letters 2004 85: 415-418; doi:10.1093/ml/85.3.415 [PDF] [Request Permissions]  

Ruth A. Solie

Review: Decentering Music: A Critique of Contemporary Musical Research
Music and Letters 2004 85: 418-423; doi:10.1093/ml/85.3.418 [PDF] [Request Permissions]  

Stephen Rose

Review: On the Publishing and Dissemination of Music 1500–1850
Music and Letters 2004 85: 423-424; doi:10.1093/ml/85.3.423 [PDF] [Request Permissions]  

Thorsten Hindrichs

Review: The Guitar and its Music: From the Renaissance to the Classical Era
Music and Letters 2004 85: 424-427; doi:10.1093/ml/85.3.424 [PDF] [Request Permissions]  

Peter Bergquist

Review: Roland de Lassus
Music and Letters 2004 85: 427-432; doi:10.1093/ml/85.3.427 [PDF] [Request Permissions]  

Ruth I. DeFord

Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century
Music and Letters 2004 85: 432-434; doi:10.1093/ml/85.3.432 [PDF] [Request Permissions]  

Noel O'Regan

Review: The Sounds of Milan, 1585–1650
Music and Letters 2004 85: 434-436; doi:10.1093/ml/85.3.434 [PDF] [Request Permissions]  

Eleanor Selfridge-Field

Review: La Commedia dell'Arte in Naples: A Bilingual Edition of the 176 Casamarciano Scenarios/La commedia dell'arte a Napoli: edizione bilingue dei 176 scenari Casamarciano
Music and Letters 2004 85: 436-437; doi:10.1093/ml/85.3.436 [PDF] [Request Permissions]  

Eleanor Selfridge-Field

Review: Italian Opera and European Theatre, 1680–1720: Plots, Performers, Dramaturgies
Music and Letters 2004 85: 438-439; doi:10.1093/ml/85.3.438 [PDF] [Request Permissions]  

David Wyn Jones

Review: The String Quartet, 1750–1797: Four Types of Musical Conversation
Music and Letters 2004 85: 439-440; doi:10.1093/ml/85.3.439 [PDF] [Request Permissions]  

James Garratt

Review: Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770–1848
Music and Letters 2004 85: 440-445; doi:10.1093/ml/85.3.440 [PDF] [Request Permissions]  

R. H. Stewart-MacDonald

Review: London und der Klassizismus in der Musik: Die Idee der ‘absoluten Musik’ und Muzio Clementis Klavierwerke
Music and Letters 2004 85: 445-449; doi:10.1093/ml/85.3.445 [PDF] [Request Permissions]  

Cynthia J. Cyrus

Review: Schubert the Progressive: History, Performance Practice, Analysis
Music and Letters 2004 85: 449-454; doi:10.1093/ml/85.3.449 [PDF] [Request Permissions]  

Cynthia J. Cyrus

Review: Schubert's Song Sets
Music and Letters 2004 85: 449-454; doi:10.1093/ml/85.3.449-a [PDF] [Request Permissions]  

James Garratt

Review: Programming the Absolute: Nineteenth-Century German Music and the Hermeneutics of the Moment
Music and Letters 2004 85: 454-457; doi:10.1093/ml/85.3.454 [PDF] [Request Permissions]  

Amanda Glauert

Review: Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference
Music and Letters 2004 85: 457-460; doi:10.1093/ml/85.3.457 [PDF] [Request Permissions]  

Nicholas Temperley

Review: George Grove, Music and Victorian Culture
Music and Letters 2004 85: 460-462; doi:10.1093/ml/85.3.460 [PDF] [Request Permissions]  

Michael Puri

Review: Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg
Music and Letters 2004 85: 462-466; doi:10.1093/ml/85.3.462 [PDF] [Request Permissions]  

David Mackie

Review: Gilbert and Sullivan: A Dual Biography
Music and Letters 2004 85: 466-469; doi:10.1093/ml/85.3.466 [PDF] [Request Permissions]  

Derek B. Scott

Review: Scotland and the Music Hall, 1850–1914
Music and Letters 2004 85: 469-471; doi:10.1093/ml/85.3.469 [PDF] [Request Permissions]  

Jeremy Dibble

Review: Parry's Creative Process
Music and Letters 2004 85: 472-475; doi:10.1093/ml/85.3.472 [PDF] [Request Permissions]  

Mary Callaghan

Review: Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-Cycled Songs
Music and Letters 2004 85: 475-477; doi:10.1093/ml/85.3.475 [PDF] [Request Permissions]  

Peter Grahame Woolf

Review: Rudolf Serkin: A Life
Music and Letters 2004 85: 480-483; doi:10.1093/ml/85.3.480 [PDF] [Request Permissions]  

Peter Grahame Woolf

Review: Lost in the Stars: The Forgotten Musical Life of Alexander Siloti
Music and Letters 2004 85: 480-483; doi:10.1093/ml/85.3.480-a [PDF] [Request Permissions]  

Peter Grahame Woolf

Review: Vladimir de Pachmann: A Piano Virtuoso's Life and Art
Music and Letters 2004 85: 480-483; doi:10.1093/ml/85.3.480-b [PDF] [Request Permissions]  

Jeremy Dibble

Review: Portrait of Percy Grainger
Music and Letters 2004 85: 483-486; doi:10.1093/ml/85.3.483 [PDF] [Request Permissions]  

Pauline Fairclough

Review: Prokofiev: A Biography. From Russia to the West 1891–1935
Music and Letters 2004 85: 486-489; doi:10.1093/ml/85.3.486 [PDF] [Request Permissions]  

Stephen Downes

Review: Proof through the Night: Music and the Great War
Music and Letters 2004 85: 489-492; doi:10.1093/ml/85.3.489 [PDF] [Request Permissions]  

Björn Heile

Review: Quotation and Cultural Meaning in Twentieth-Century Music
Music and Letters 2004 85: 492-494; doi:10.1093/ml/85.3.492 [PDF] [Request Permissions]  

Arnold Whittall

Review: Britten on Music
Music and Letters 2004 85: 494-497; doi:10.1093/ml/85.3.494 [PDF] [Request Permissions]  

Arnold Whittall

Review: Britten, Voice and Piano: Lectures on the Vocal Music of Benjamin Britten
Music and Letters 2004 85: 494-497; doi:10.1093/ml/85.3.494-a [PDF] [Request Permissions]  

David Fanning

Review: Symphonik 1930–1950: Gattungsgeschichtliche und analytische Beiträge
Music and Letters 2004 85: 498-499; doi:10.1093/ml/85.3.498 [PDF] [Request Permissions]  

Kenneth Gloag

Review: Peter Maxwell Davies: A Source Book
Music and Letters 2004 85: 499; doi:10.1093/ml/85.3.499 [PDF] [Request Permissions]  

Peter Ward Jones

Review: Kataloge der Universitätsbibliothek Eichstätt. Das Bucharchiv Hans Schneider: Musikantiquariat und Verlag 1949–2002
Music and Letters 2004 85: 500; doi:10.1093/ml/85.3.500 [PDF] [Request Permissions]  

Virginia Hancock

Review: Newe deutzsche Lieder
Music and Letters 2004 85: 501-502; doi:10.1093/ml/85.3.501 [PDF] [Request Permissions]  

Davide Daolmi

Review: La Galatea
Music and Letters 2004 85: 502-505; doi:10.1093/ml/85.3.502 [PDF] [Request Permissions]  

Davide Daolmi

Review: Cantatas for Alto and Continuo: 16 Alto Cantatas from the Manuscripts in the Bodleian Library, Oxford
Music and Letters 2004 85: 505-508; doi:10.1093/ml/85.3.505 [PDF] [Request Permissions]  

Lawrence Archbold

Review: Symphonie pour orgue et orchestre, op. 42 [bis]
Music and Letters 2004 85: 508-510; doi:10.1093/ml/85.3.508 [PDF] [Request Permissions]  

Lawrence Archbold

Review: Fuge über ein Thema von Jules Massenet für Orgel
Music and Letters 2004 85: 508-510; doi:10.1093/ml/85.3.508-a [PDF] [Request Permissions]  

Correspondence
Music and Letters 2004 85: 511-516; doi:10.1093/ml/85.3.511 [PDF] [Request Permissions]  

The Westrup Prize
Music and Letters 2004 85: 516; doi:10.1093/ml/85.3.516 [PDF] [Request Permissions]  

Recipients of ‘Music & Letters’ Awards
Music and Letters 2004 85: 516; doi:10.1093/ml/85.3.516-a [PDF] [Request Permissions]  

Notes to Contributors
Music and Letters 2004 85: 517; doi:10.1093/ml/85.3.517 [PDF] [Request Permissions]  

‘Music & Letters’ Awards
Music and Letters 2004 85: 518; doi:10.1093/ml/85.3.518 [PDF] [Request Permissions]  

Authors of Articles in this Issue
Music and Letters 2004 85: 518; doi:10.1093/ml/85.3.518-a [PDF] [Request Permissions]  

Books Received
Music and Letters 2004 85: 519-520; doi:10.1093/ml/85.3.519 [PDF] [Request Permissions]  

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