Music and Letters

Articles

Helen Deeming

The Songs of St Godric: A Neglected Context
Music and Letters 2005 86: 169-185; doi:10.1093/ml/gci031 [Abstract] [PDF] [Request Permissions]  

Alberto Rizzuti

Viganò’s ‘Giovanna d’Arco’ and Manzoni’s ‘March 1821’ in the Storm of 1821 Italy
Music and Letters 2005 86: 186-201; doi:10.1093/ml/gci032 [Abstract] [PDF] [Request Permissions]  

Daniel M. Grimley

‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
Music and Letters 2005 86: 202-233; doi:10.1093/ml/gci033 [Abstract] [PDF] [Request Permissions]  

Fiona Walsh

Variant Endings for Bartók’s Two Violin Rhapsodies (1928–1929)
Music and Letters 2005 86: 234-256; doi:10.1093/ml/gci034 [Abstract] [PDF] [Request Permissions]  

Stephanie E. Pitts

What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival
Music and Letters 2005 86: 257-269; doi:10.1093/ml/gci035 [Abstract] [PDF] [Request Permissions]  

Reviews of Books

Margaret Kartomi

Review: Thinking Musically: Experiencing Music, Expressing Culture
Music and Letters 2005 86: 270-274; doi:10.1093/ml/gci036 [PDF] [Request Permissions]  

Axel Klein

Review: Music in Ireland—Experiencing Music, Expressing Culture
Music and Letters 2005 86: 274-275; doi:10.1093/ml/gci037 [PDF] [Request Permissions]  

David Hiley

Review: Gregorian and Old Roman Eighth-Mode Tracts: A Case Study in the Transmission of Western Chant
Music and Letters 2005 86: 275-278; doi:10.1093/ml/gci038 [PDF] [Request Permissions]  

Rachel Golden Carlson

Review: The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries
Music and Letters 2005 86: 278-280; doi:10.1093/ml/gci039 [PDF] [Request Permissions]  

Antonio Cascelli

Review: Divining the Oracle: Monteverdi’s Seconda Prattica
Music and Letters 2005 86: 280-285; doi:10.1093/ml/gci040 [PDF] [Request Permissions]  

Carolyn Gianturco

Review: Polymath of the Baroque: Agostino Steffani and his Music
Music and Letters 2005 86: 285-287; doi:10.1093/ml/gci041 [PDF] [Request Permissions]  

Michael Talbot

Review: The Scoring of Baroque Concertos
Music and Letters 2005 86: 287-290; doi:10.1093/ml/gci042 [PDF] [Request Permissions]  

Colin Lawson

Review: The Clarinet in the Classical Period
Music and Letters 2005 86: 290-293; doi:10.1093/ml/gci043 [PDF] [Request Permissions]  

David Charlton

Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire
Music and Letters 2005 86: 293-297; doi:10.1093/ml/gci044 [PDF] [Request Permissions]  

Nicholas Temperley

Review: Charles Edward Horn’s Memoirs of his Father and Himself
Music and Letters 2005 86: 297-298; doi:10.1093/ml/gci045 [PDF] [Request Permissions]  

Michael Hurd

Review: Samuel Sebastian Wesley: A Life
Music and Letters 2005 86: 298-299; doi:10.1093/ml/gci046 [PDF] [Request Permissions]  

Katharine Ellis

Review: The Musical Madhouse: Les Grotesques de la musique
Music and Letters 2005 86: 299-301; doi:10.1093/ml/gci047 [PDF] [Request Permissions]  

David J. Code

Review: Mallarmé and Debussy: Unheard Music, Unseen Text
Music and Letters 2005 86: 301-306; doi:10.1093/ml/gci048 [PDF] [Request Permissions]  

Tim Howell

Review: The Cambridge Companion to Sibelius
Music and Letters 2005 86: 306-309; doi:10.1093/ml/gci049 [PDF] [Request Permissions]  

John Paynter

Review: Sir Arthur Somervell on Music Education: His Writings, Speeches and Letters
Music and Letters 2005 86: 309-310; doi:10.1093/ml/gci050 [PDF] [Request Permissions]  

Arnold Whittall

Review: Modernism and Music: An Anthology of Sources
Music and Letters 2005 86: 310-312; doi:10.1093/ml/gci051 [PDF] [Request Permissions]  

Ben Earle

Review: On the Music of Stefan Wolpe: Essays and Recollections
Music and Letters 2005 86: 312-315; doi:10.1093/ml/gci052 [PDF] [Request Permissions]  

Bob Gilmore

Review: Paul Bowles on Music
Music and Letters 2005 86: 315-318; doi:10.1093/ml/gci053 [PDF] [Request Permissions]  

Erik Levi

Review: Music and Nazism: Art under Tyranny, 1933–1945
Music and Letters 2005 86: 318-320; doi:10.1093/ml/gci054 [PDF] [Request Permissions]  

Kenneth Gloag

Review: From the Erotic to the Demonic: On Critical Musicology
Music and Letters 2005 86: 320-322; doi:10.1093/ml/gci055 [PDF] [Request Permissions]  

Marcia J. Citron

Review: Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s
Music and Letters 2005 86: 322-325; doi:10.1093/ml/gci056 [PDF] [Request Permissions]  

David Beard

Review: Analyzing Popular Music
Music and Letters 2005 86: 325-328; doi:10.1093/ml/gci057 [PDF] [Request Permissions]  

Alexander Lingas

Review: Mediterranean Mosaic: Popular Music and Global Sounds
Music and Letters 2005 86: 328-332; doi:10.1093/ml/gci058 [PDF] [Request Permissions]  

Reviews of Music

Sandra Mangsen

Review: Concerti musicali, Op. 6
Music and Letters 2005 86: 333-334; doi:10.1093/ml/gci059 [PDF] [Request Permissions]  

David Ross Hurley

Review: Complete Sonatas, Part 1; Part 2
Music and Letters 2005 86: 334-336; doi:10.1093/ml/gci060 [PDF] [Request Permissions]  

Sandra Mangsen

Review: Il pianto e il riso delle quattro stagioni
Music and Letters 2005 86: 336-338; doi:10.1093/ml/gci061 [PDF] [Request Permissions]  

Sterling E. Murray

Review: Six Orchestral Serenades from South Germany and Austria, Part 1: Munich; Part 2: Salzburg, Thurn und Taxis, and Oettingen-Wallerstein
Music and Letters 2005 86: 338-341; doi:10.1093/ml/gci062 [PDF] [Request Permissions]  

Mark Everist

Review: Il viaggio a Reims
Music and Letters 2005 86: 342-344; doi:10.1093/ml/gci063 [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Music and Letters 2005 86: 344-347; doi:10.1093/ml/86.2.344 [PDF] [Request Permissions]  

Books Received

Books Received
Music and Letters 2005 86: 348-349; doi:10.1093/ml/gci065 [PDF] [Request Permissions]  

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