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Previous Next 		Contents: Volume 88, Number 4, November 2007   [Index by Author] 

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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Stephen Rumph
The Sense of Touch in ‘Don Giovanni’
Music and Letters Advance Access published on September 17, 2007
Music and Letters 2007 88: 561-588; doi:10.1093/ml/gcm035 [Abstract] [Full Text] [PDF] [Request Permissions]  

Jonathan R. J. Drennan
Another Mass Attributable to Giovanni Rovetta
Music and Letters Advance Access published on August 22, 2007
Music and Letters 2007 88: 589-603; doi:10.1093/ml/gcm036 [Abstract] [Full Text] [PDF] [Request Permissions]  

Nicholas Reyland
Lutoslawski, ‘Akcja’ , and the Poetics of Musical Plot
Music and Letters 2007 88: 604-631; doi:10.1093/ml/gcm067 [Abstract] [Full Text] [PDF] [Request Permissions]  

Review-Article Back

Peter O'Hagan
From Sketch to Score: A Facsimile Edition of Boulez's ‘Le Marteau Sans Maître’
Music and Letters Advance Access published on September 17, 2007
Music and Letters 2007 88: 632-644; doi:10.1093/ml/gcm044 [Full Text] [PDF] [Request Permissions]  

Reviews of Books Back

Kate van Orden
Music and Ideas in the Sixteenth and Seventeenth Centuries. By Claude V. Palisca, Ed. by Thomas J. Mathiesen.
Music and Letters 2007 88: 645-646; doi:10.1093/ml/gcm010 [Full Text] [PDF] [Request Permissions]  

Vassilis Vavoulis
The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe, Ed. by Juan José Carreras, Bernardo García García, and Tess Knighton. Trans. by Yolanda Acker.
Music and Letters 2007 88: 646-650; doi:10.1093/ml/gcm011 [Full Text] [PDF] [Request Permissions]  

Donna G. Cardamone
The Courtesan's Arts: Cross-Cultural Perspectives. Ed. by Martha Feldman and Bonnie Gordon.
Music and Letters 2007 88: 650-652; doi:10.1093/ml/gcm027 [Full Text] [PDF] [Request Permissions]  

Thomas F. Heck
The Art of Commedia: A Study in the Commedia dell’Arte 1560–1620 with Special Reference to the Visual Records. By M. A. Katritzky.
Music and Letters 2007 88: 652-653; doi:10.1093/ml/gcm040 [Full Text] [PDF] [Request Permissions]  

H Diack Johnstone
‘To Fill, Forbear, or Adorne’: The Organ Accompaniment of Restoration Sacred Music. By Rebecca Herissone.
Music and Letters 2007 88: 653-655; doi:10.1093/ml/gcm008 [Full Text] [PDF] [Request Permissions]  

Barry Ife
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style. By W. Dean Sutcliffe.
Music and Letters 2007 88: 655-658; doi:10.1093/ml/gcm037 [Full Text] [PDF] [Request Permissions]  

Andrew Steptoe
Recognition in Mozart's Operas. By Jessica Waldoff.
Music and Letters 2007 88: 658-660; doi:10.1093/ml/gcm028 [Full Text] [PDF] [Request Permissions]  

John A. Rice
Die Opera seria bei Joseph Haydn: Studien zu Form und Struktur musikalischer Affekdramaturgie und Figurentypologiesierung in Armida und L ’ Anima del filosofo ossia Orfeo ed Euridice. By Bernhard Waritschlager.
Music and Letters 2007 88: 660-661; doi:10.1093/ml/gcm031 [Full Text] [PDF] [Request Permissions]  

Barry Cooper
The Symphony in Beethoven's Vienna. By David Wyn Jones.
Music and Letters 2007 88: 661-663; doi:10.1093/ml/gcm030 [Full Text] [PDF] [Request Permissions]  

Matthew Riley
E. T. A. Hoffmann's Musical Aesthetics. By Abigail Chantler.
Music and Letters 2007 88: 663-664; doi:10.1093/ml/gcl139 [Full Text] [PDF] [Request Permissions]  

Julian Horton
Bruckners Neunte im Fegefeuer der Rezeption, Ed. by Heinz-Klaus Metzger and Rainer Riehn.
Music and Letters 2007 88: 664-667; doi:10.1093/ml/gcm009 [Full Text] [PDF] [Request Permissions]  

Emma Hornby
Jumping to Conclusions: The Falling-Third Cadences in Chant, Polyphony, and Recitative. By Richard Hudson.
Music and Letters 2007 88: 667-670; doi:10.1093/ml/gcl146 [Full Text] [PDF] [Request Permissions]  

David Hiley
Les Offices historiques ou ‘historiae’ composés pour les fêtes des saints dans la province ecclésiastique de Reims (775–1030). By Jean-François Goudesenne.
Music and Letters 2007 88: 670-672; doi:10.1093/ml/gcm029 [Full Text] [PDF] [Request Permissions]  

Elizabeth Eva Leach
The Old French Ballette: Oxford, Bodleian Library, MS Douce 308. Ed. and trans. by Eglal Doss Quinby and Samuel N. Rosenberg. Music Editions and Commentary by Elizabeth Aubrey.
Music and Letters 2007 88: 673-676; doi:10.1093/ml/gcm041 [Full Text] [PDF] [Request Permissions]  

Dorothy De Val
Instruments à claviers—expressivité et flexibilité sonore: Actes des rencontres internationales harmoniques, Lausanne 2002. Ed. by Thomas Steiner.
Music and Letters 2007 88: 676-680; doi:10.1093/ml/gcl147 [Full Text] [PDF] [Request Permissions]  

Mark A. Pottinger
Fromental Halévy: La Reine de Chypre. Dossier de presse parisienne (1841). Ed. by Anne-Sophie Métérie.
Music and Letters 2007 88: 680-682; doi:10.1093/ml/gcm022 [Full Text] [PDF] [Request Permissions]  

Steven Huebner
Republican Morality and Catholic Tradition in the Opera: Massenet's Hérodiade and Thaïs. By Clair Rowden.
Music and Letters 2007 88: 683-684; doi:10.1093/ml/gcm017 [Full Text] [PDF] [Request Permissions]  

Derek B. Scott
Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820–1883. By E. David Gregory.
Music and Letters 2007 88: 684-685; doi:10.1093/ml/gcm025 [Full Text] [PDF] [Request Permissions]  

Richard Langham Smith
Taffanel: Genius of the Flute. By Edward Blakeman.
Music and Letters 2007 88: 685-688; doi:10.1093/ml/gcm034 [Full Text] [PDF] [Request Permissions]  

Jeffrey Richards
The Musical Crowd in English Fiction, 1840–1910: Class, Culture and Nation. By Phyllis Weliver.
Music and Letters 2007 88: 688-689; doi:10.1093/ml/gcm032 [Full Text] [PDF] [Request Permissions]  

Alexandra Wilson
The Prima Donna and Opera, 1815–1930. By Susan Rutherford.
Music and Letters 2007 88: 689-692; doi:10.1093/ml/gcm024 [Full Text] [PDF] [Request Permissions]  

Bryan R. Simms
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951). By Norton Dudeque.
Music and Letters 2007 88: 692-695; doi:10.1093/ml/gcm012 [Full Text] [PDF] [Request Permissions]  

Erik Heine
Dmitri Shostakovich: A Life in Film. By John Riley.
Music and Letters 2007 88: 695-697; doi:10.1093/ml/gcm019 [Full Text] [PDF] [Request Permissions]  

David Fanning
Shostakovich: A Life Remembered (New Edition). By Elizabeth Wilson.
Music and Letters 2007 88: 697-698; doi:10.1093/ml/gcm033 [Full Text] [PDF] [Request Permissions]  

Marcia J. Citron
Changing Tunes: The Use of Pre-existing Music in Film. Ed. Phil Powrie and Robynn Stilwell.
Music and Letters 2007 88: 698-702; doi:10.1093/ml/gcm020 [Full Text] [PDF] [Request Permissions]  

David Nicholls
Edgard Varèse: Composer, Sound Sculptor, Visionary. Ed. by Felix Meyer and Heidy Zimmermann.
Music and Letters 2007 88: 702-704; doi:10.1093/ml/gcl137 [Full Text] [PDF] [Request Permissions]  

David Nicholls
Voices in the Wilderness: Six American Neo-Romantic Composers. By Walter Simmons.
Music and Letters 2007 88: 704-706; doi:10.1093/ml/gcm038 [Full Text] [PDF] [Request Permissions]  

Clemens Gresser
Morton Feldman Says: Selected Interviews and Lectures 1964–1987. Ed. by Chris Villars.
Music and Letters 2007 88: 706-708; doi:10.1093/ml/gcl141 [Full Text] [PDF] [Request Permissions]  

Sarah Hill
True to the Roots: Americana Music Revealed. By Monte Dutton.
Music and Letters 2007 88: 708-709; doi:10.1093/ml/gcm039 [Full Text] [PDF] [Request Permissions]  

Rogério Budasz
Music in Brazil: Experiencing Music, Expressing Culture. By John P. Murphy.
Music and Letters 2007 88: 709-711; doi:10.1093/ml/gcm013 [Full Text] [PDF] [Request Permissions]  

The Westrup Prize and Recipients of 'Music & Letters' Awards Back

The Westrup Prize
Music and Letters 2007 88: 712; doi:10.1093/ml/gcm085 [Full Text] [PDF] [Request Permissions]  

Notes to Contributors Back

Notes to Contributors
Music and Letters 2007 88: 713-714; doi:10.1093/ml/gcm087 [Full Text] [PDF] [Request Permissions]  

Books Received Back

Books Received
Music and Letters 2007 88: 715-716; doi:10.1093/ml/gcm086 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.