Music and Letters

Articles

Get checked abstract Massimo Ossi

Monteverdi, Marenzio, and Battista Guarini's ‘Cruda Amarilli’
Music and Letters 2008 89: 311-336; doi:10.1093/ml/gcn004 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Oliver Neighbour

Ralph, Adeline, and Ursula Vaughan Williams: Some Facts and Speculation (with a Note about Tippett)
Music and Letters Advance Access published on July 4, 2008
Music and Letters 2008 89: 337-345; doi:10.1093/ml/gcn042 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Nancy November

Instrumental Arias or Sonic Tableaux: ‘Voice’ in Haydn's String Quartets Opp. 9 and 17
Music and Letters Advance Access published on April 23, 2008
Music and Letters 2008 89: 346-372; doi:10.1093/ml/gcm130 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Caroline Rae

In Havana and Paris: The Musical Activities of Alejo Carpentier
Music and Letters Advance Access published on July 4, 2008
Music and Letters 2008 89: 373-395; doi:10.1093/ml/gcn033 [Abstract] [Full Text] [PDF] [Request Permissions]  

Review Article

Giorgio Biancorosso

Whose Phenomenology of Music? David Huron's Theory of Expectation
Music and Letters Advance Access published on July 4, 2008
Music and Letters 2008 89: 396-404; doi:10.1093/ml/gcn015 [Full Text] [PDF] [Request Permissions]  

Reviews of Books

Alain Frogley

Vaughan Williams Essays. Ed. by Byron Adams and Robin Wells.
Music and Letters 2008 89: 405-408; doi:10.1093/ml/gcm108 [Full Text] [PDF] [Request Permissions]  

J. P. E. Harper-Scott

Europe, Empire, and Spectacle in Nineteenth-Century British Music. Ed. by Rachel Cowgill and Julian Rushton.
Music and Letters 2008 89: 408-411; doi:10.1093/ml/gcm109 [Full Text] [PDF] [Request Permissions]  

Christina Bashford

Catch and Glee Culture in Eighteenth-Century England. By Brian Robins.
Music and Letters 2008 89: 411-413; doi:10.1093/ml/gcm104 [Full Text] [PDF] [Request Permissions]  

Raymond Monelle

Music as Philosophy: Adorno and Beethoven's Late Style. By Michael Spitzer.
Music and Letters 2008 89: 413-415; doi:10.1093/ml/gcn028 [Full Text] [PDF] [Request Permissions]  

Nicholas Baragwanath

Late Thoughts: Reflections on Artists and Composers at Work. Ed. by Karen Painter and Thomas Crow.
Music and Letters 2008 89: 415-419; doi:10.1093/ml/gcm117 [Full Text] [PDF] [Request Permissions]  

James Garratt

The Reception of Bach's Organ Works from Mendelssohn to Brahms. By Russell Stinson.
Music and Letters 2008 89: 419-421; doi:10.1093/ml/gcn024 [Full Text] [PDF] [Request Permissions]  

Gundula Kreuzer

Nationale Musik im 20. Jahrhundert. Kompositorische und soziokulturelle Aspekte der Musikgeschichte zwischen Ost- und Westeuropa. Konferenzbericht Leipzig 2002. Ed. by Helmut Loos and Stefan Keym.
Music and Letters 2008 89: 421-426; doi:10.1093/ml/gcn026 [Full Text] [PDF] [Request Permissions]  

Diana Hallman

Le Juif errant, paroles d’E. Scribe et d’H. V. de Saint-Georges, musique de F. Halévy: Un grand opéra français au début du Second Empire. By Béatrice Prioron-Pinelli.
Music and Letters 2008 89: 427-430; doi:10.1093/ml/gcn014 [Full Text] [PDF] [Request Permissions]  

Davinia Caddy

Classic Chic: Music, Fashion, and Modernism. By Mary E. Davis.
Music and Letters 2008 89: 430-432; doi:10.1093/ml/gcm079 [Full Text] [PDF] [Request Permissions]  

Roger Nichols

Déodat de Séverac ou Le Chantre du Midi. By Catherine Buser Picard.
Music and Letters 2008 89: 432-434; doi:10.1093/ml/gcm122 [Full Text] [PDF] [Request Permissions]  

Mark A. Pottinger

Léo Delibes, Jean de Nivelle: Dossier de presse parisienne (1880). Edited by Pauline Girard and Bérengère de l’Épine.
Music and Letters 2008 89: 434-435; doi:10.1093/ml/gcm123 [Full Text] [PDF] [Request Permissions]  

Gordon Cox

Musical Education in Europe (1770–1914): Compositional, Institutional, and Political Challenges. Ed. by Michael Fend and Michel Noiray.
Music and Letters Advance Access published on July 17, 2008
Music and Letters 2008 89: 435-438; doi:10.1093/ml/gcn039 [Full Text] [PDF] [Request Permissions]  

Stephen Downes

Grieg: Music, Landscape and Norwegian Identity. By Daniel M. Grimley.
Music and Letters 2008 89: 438-440; doi:10.1093/ml/gcm118 [Full Text] [PDF] [Request Permissions]  

Peter Tregear

Libretto im Progress: Brechts und Weills Aufstieg und Fall der Stadt Mahagonny aus textgeschichtlicher Sicht. By Esbjörn Nyström.
Music and Letters 2008 89: 440-441; doi:10.1093/ml/gcm113 [Full Text] [PDF] [Request Permissions]  

Peter Tregear

Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism. By Charles Youmans.
Music and Letters 2008 89: 441-444; doi:10.1093/ml/gcm114 [Full Text] [PDF] [Request Permissions]  

Stephen Walsh

Igor Stravinsky, Stravinsky's Histoire du Soldat: A Facsimile of the Sketches. Ed. by Maureen A. Carr. • Igor Stravinsky, Les Noces: Study Score, Scènes chorégraphiques russes avec chant et musique composées par Igor Stravinsky. Ed. by Margarita Mazo and Millan Sachania.
Music and Letters 2008 89: 444-448; doi:10.1093/ml/gcm101 [Full Text] [PDF] [Request Permissions]  

Pauline Fairclough

Creative Union: The Professional Organization of Soviet Composers, 1939–1953. By Kiril Tomoff.
Music and Letters 2008 89: 448-450; doi:10.1093/ml/gcm119 [Full Text] [PDF] [Request Permissions]  

Tomi Mäkelä

After Sibelius: Studies in Finnish Music. By Tim Howell.
Music and Letters 2008 89: 450-452; doi:10.1093/ml/gcm077 [Full Text] [PDF] [Request Permissions]  

David Fanning

Um das Spätwerk betrogen? Prokofjews letze Schaffensperiode. Ed. by Ernst Kuhn.
Music and Letters 2008 89: 452-453; doi:10.1093/ml/gcm107 [Full Text] [PDF] [Request Permissions]  

Toby Thacker

Deutsche Leitkultur Musik? Zur Musikgeschichte nach dem Holocaust. Ed. by Albrecht Riethmüller.
Music and Letters 2008 89: 453-458; doi:10.1093/ml/gcm128 [Full Text] [PDF] [Request Permissions]  

David Nicholls

Maximum Clarity and Other Writings on Music. By Ben Johnston and ed. by Bob Gilmore.
Music and Letters 2008 89: 458-460; doi:10.1093/ml/gcm111 [Full Text] [PDF] [Request Permissions]  

Robert Adlington

Music of the Twentieth Century: A Study of its Elements and Structure. By Ton de Leeuw.
Music and Letters 2008 89: 460-462; doi:10.1093/ml/gcm080 [Full Text] [PDF] [Request Permissions]  

William Drabkin

Essays from the Third International Schenker Symposium. Ed. by Allen Cadwallader. • Analysis of Tonal Music: A Schenkerian Approach (Second Edition). By Allen Cadwallader and David Gagné.
Music and Letters 2008 89: 462-464; doi:10.1093/ml/gcm105 [Full Text] [PDF] [Request Permissions]  

Dorothy Ker

Emblems of Mind: The Inner Life of Music and Mathematics. By Edward Rothstein.
Music and Letters 2008 89: 464-465; doi:10.1093/ml/gcm120 [Full Text] [PDF] [Request Permissions]  

Alan Marsden

Music Analysis East and West. Ed. by Walter B. Hewlett and Eleanor Selfridge-Field.
Music and Letters 2008 89: 465-467; doi:10.1093/ml/gcm121 [Full Text] [PDF] [Request Permissions]  

John Irving

Mozart's Piano Music. By William Kinderman.
Music and Letters 2008 89: 467-472; doi:10.1093/ml/gcm110 [Full Text] [PDF] [Request Permissions]  

John Potter

Singing in Style: A Guide to Vocal Performance Practices. By Martha Elliott.
Music and Letters Advance Access published on February 11, 2008
Music and Letters 2008 89: 472-474; doi:10.1093/ml/gcm112 [Full Text] [PDF] [Request Permissions]  

Fiona McLauchlan

Handel's Operas 1726–1741. By Winton Dean.
Music and Letters 2008 89: 474-476; doi:10.1093/ml/gcn027 [Full Text] [PDF] [Request Permissions]  

David Schulenberg

The Performance of Italian Basso Continuo: Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries. By Giulia Nuti.
Music and Letters 2008 89: 476-480; doi:10.1093/ml/gcm126 [Full Text] [PDF] [Request Permissions]  

Don Fader

Le Plaisir musical en France au XVII^e siècle. Ed. by Thierry Favier and Manuel Couvreur.
Music and Letters 2008 89: 480-484; doi:10.1093/ml/gcm106 [Full Text] [PDF] [Request Permissions]  

Julie Sanders

Musicking Shakespeare: A Conflict of Theatres. By Daniel Albright.
Music and Letters 2008 89: 484-487; doi:10.1093/ml/gcm125 [Full Text] [PDF] [Request Permissions]  

Susan Boynton

Cathedral and Civic Ritual in Late Medieval and Renaissance Florence: The Service Books of Santa Maria del Fiore. By Marica S. Tacconi.
Music and Letters Advance Access published on July 17, 2008
Music and Letters 2008 89: 487-490; doi:10.1093/ml/gcn016 [Full Text] [PDF] [Request Permissions]  

David Hiley

Les Manuscrits du processional, i: Autriche à Espagne. Ed. by Michel Huglo. • Les Manuscrits du processional, ii: France à Afrique du Sud. Ed. by Michel Huglo.
Music and Letters 2008 89: 490-493; doi:10.1093/ml/gcn025 [Full Text] [PDF] [Request Permissions]  

The Westrup Prize and Recipients of 'Music & Letters' Awards

The Westrup Prize
Music and Letters 2008 89: 494; doi:10.1093/ml/gcn048 [Full Text] [PDF] [Request Permissions]  

Recipients of ‘Music & Letters’ Awards
Music and Letters 2008 89: 494; doi:10.1093/ml/gcn049 [Full Text] [PDF] [Request Permissions]  

‘Music & Letters’ Awards
Music and Letters 2008 89: 496; doi:10.1093/ml/gcn051 [Full Text] [PDF] [Request Permissions]  

Authors of Articles in this Issue
Music and Letters 2008 89: 496; doi:10.1093/ml/gcn052 [Full Text] [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Music and Letters 2008 89: 495; doi:10.1093/ml/gcn050 [Full Text] [PDF] [Request Permissions]  

Books Received

Books Received
Music and Letters 2008 89: 497-498; doi:10.1093/ml/gcn053 [Full Text] [PDF] [Request Permissions]  

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