Music and Letters

Articles

Get checked abstract John Milsom

William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor
Music and Letters 2010 91: 1-38; doi:10.1093/ml/gcp091 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Lisa Colton

A Unique Source of English Tablature from Seventeenth-Century Huddersfield
Music and Letters 2010 91: 39-50; doi:10.1093/ml/gcp081 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Jama Stilwell

A New View of the Eighteenth-Century ‘Abduction’ Opera: Edification and Escape at the Parisian ‘ThéâTres de la foire’
Music and Letters 2010 91: 51-82; doi:10.1093/ml/gcp080 [Abstract] [Full Text] [PDF] [Request Permissions]  

Review-Article

Simon Morrison

Rostropovich's Recollections
Music and Letters 2010 91: 83-90; doi:10.1093/ml/gcp066 [Full Text] [PDF] [Request Permissions]  

Reviews: Index

Arnold Whittall

Hallelujah Junction: Composing an American Life. By John Adams.
Music and Letters 2010 91: 139-141; doi:10.1093/ml/gcp038 [Full Text] [PDF] [Request Permissions]  

Raymond Monelle

Music as Discourse: Semiotic Adventures in Romantic Music. By Kofi Agawu.
Music and Letters 2010 91: 110-111; doi:10.1093/ml/gcp098 [Full Text] [PDF] [Request Permissions]  

Arnold Whittall

Wagner and Venice. By John W. Barker.
Music and Letters 2010 91: 120-122; doi:10.1093/ml/gcp039 [Full Text] [PDF] [Request Permissions]  

Elizabeth Eva Leach

Der Mensuralcodex St. Emmeram: Faksimile der Handschrift Clm 14274 der Bayerischen Staatsbibliothek München. Ed. by the Bayerischen Staatsbibliothek and Lorenz Welker with Commentary from Ian Rumbold and Peter Wright.
Music and Letters 2010 91: 97-100; doi:10.1093/ml/gcp064 [Full Text] [PDF] [Request Permissions]  

Elizabeth Eva Leach

Young Choristers 650–1700. Ed. by Susan Boynton and Eric Rice.
Music and Letters 2010 91: 94-97; doi:10.1093/ml/gcp063 [Full Text] [PDF] [Request Permissions]  

Alexander Binns

A History of Film Music. By Mervyn Cooke.
Music and Letters 2010 91: 135-136; doi:10.1093/ml/gcp059 [Full Text] [PDF] [Request Permissions]  

Caroline Rae

Maurice Duruflé: The Man and his Music. By James E. Frazier.
Music and Letters 2010 91: 126-128; doi:10.1093/ml/gcp067 [Full Text] [PDF] [Request Permissions]  

Björn Heile

Die ‘Wittener Tage für neue Kammermusik’: Über Geschichte und Historiografie aktueller Musik. By Frank Hentschel.
Music and Letters 2010 91: 132-135; doi:10.1093/ml/gcp042 [Full Text] [PDF] [Request Permissions]  

Deborah Mawer

Nijinsky's Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux. By Millicent Hodson.
Music and Letters 2010 91: 123-126; doi:10.1093/ml/gcp065 [Full Text] [PDF] [Request Permissions]  

Nicholas Baragwanath

Studien zu Alban Bergs Oper ‘Lulu’. By Werner König.
Music and Letters 2010 91: 122-123; doi:10.1093/ml/gcp040 [Full Text] [PDF] [Request Permissions]  

Simon P. Keefe

The Mozart Cache: The Discovery and Examination of a Previously Unknown Collection of Mozartiana. By Daniel N. Leeson.
Music and Letters 2010 91: 105-107; doi:10.1093/ml/gcp062 [Full Text] [PDF] [Request Permissions]  

Alan Howard

Christ Church Library Music Catalogue. By John Milsom.
Music and Letters 2010 91: 91-94; doi:10.1093/ml/gcp096 [Full Text] [PDF] [Request Permissions]  

Nancy November

Communication in Eighteenth-Century Music. Ed. by Danuta Mirka and Kofi Agawu.
Music and Letters 2010 91: 107-110; doi:10.1093/ml/gcp044 [Full Text] [PDF] [Request Permissions]  

Deniz Ertan

John Cage. By David Nicholls.
Music and Letters 2010 91: 136-139; doi:10.1093/ml/gcp060 [Full Text] [PDF] [Request Permissions]  

Bettina Varwig

A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. By Mark A. Peters.
Music and Letters 2010 91: 100-102; doi:10.1093/ml/gcp037 [Full Text] [PDF] [Request Permissions]  

William Weber

Music and the Making of Middle-Class Culture: A Comparative History of Nineteenth-Century Leipzig and Birmingham. By Antje Pieper.
Music and Letters 2010 91: 118-120; doi:10.1093/ml/gcp100 [Full Text] [PDF] [Request Permissions]  

John Tyrrell

Leo Janáek ve fotografiích; Leo Janáek in Photographs. By Svatava Pibáová and Jií Zahrádka.
Music and Letters 2010 91: 130-132; doi:10.1093/ml/gcp069 [Full Text] [PDF] [Request Permissions]  

Hendrik Schulze

Monteverdi's Last Operas: A Venetian Trilogy. By Ellen Rosand. • The Cambridge Companion to Monteverdi. Ed. by John Whenham and Richard Wistreich.
Music and Letters 2010 91: 102-105; doi:10.1093/ml/gcp068 [Full Text] [PDF] [Request Permissions]  

En Musique dans le texte: Le mélodrame, de Rousseau à Schoenberg. By Jacqueline Waeber.
Music and Letters 2010 91: 112-115; doi:10.1093/ml/gcp061 [Full Text] [PDF] [Request Permissions]  

Evan Rapport

The George Gershwin Reader. Ed. by Robert Wyatt and John Andrew Johnson.
Music and Letters 2010 91: 128-130; doi:10.1093/ml/gcp045 [Full Text] [PDF] [Request Permissions]  

Shay Loya

Representing Non-Western Music in Nineteenth-Century Britain. By Bennett Zon.
Music and Letters 2010 91: 115-118; doi:10.1093/ml/gcp024 [Full Text] [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Music and Letters 2010 91: 142; doi:10.1093/ml/gcq016 [Full Text] [PDF] [Request Permissions]  

'Music & Letters' Awards

‘Music & Letters’ Awards
Music and Letters 2010 91: 143; doi:10.1093/ml/gcq017 [Full Text] [PDF] [Request Permissions]  

Authors of Articles in this Issue

Authors of Articles in this Issue
Music and Letters 2010 91: 143; doi:10.1093/ml/gcq020 [Full Text] [PDF] [Request Permissions]  

Books Received

Books Received
Music and Letters 2010 91: 144-147; doi:10.1093/ml/gcq018 [Full Text] [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.