: Most-Read Full-Text Articles http://ml.oxfordjournals.org/ Most-read rankings are recalculated at the beginning of the month based on usage of full-text and PDF views for the previous month. 2009-11-14 <![CDATA[The World According to Taruskin]]> http://ml.oxfordjournals.org/cgi/content/short/87/3/408?rss=1&ssource=mfc Aug 1, 2006; 87:408-415
Review-Article]]> Susan McClary 2006-08-01 10.1093/ml/gcl001 Oxford University Press <![CDATA[Material Gains: Assessing Susan McClary]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/453?rss=1&ssource=mfc Aug 1, 2009; 90:453-467
Review-Article]]> Richard Taruskin 2009-08-01 Oxford University Press <![CDATA[Narrative Theory as an Analytical Tool in the Study of Popular Music Texts]]> http://ml.oxfordjournals.org/cgi/content/short/88/2/297?rss=1&ssource=mfc May 1, 2007; 88:297-315
Articles]]> David Nicholls 2007-05-01 10.1093/ml/gcm006 Oxford University Press <![CDATA['Late', Last, and Least: On Being Beethoven's Quartet in F Major, op. 135]]> http://ml.oxfordjournals.org/cgi/content/short/87/1/16?rss=1&ssource=mfc Jan 1, 2006; 87:16-51
Articles]]> K. M. Knittel 2006-01-01 10.1093/ml/gci162 Oxford University Press <![CDATA[Claudio Monteverdi and Sacred Music in the Household of the Gonzaga Dukes of Mantua, 1590-1612]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/331?rss=1&ssource=mfc Aug 1, 2009; 90:331-371
Articles]]> Roger Bowers 2009-08-01 Oxford University Press <![CDATA[Machaut and the 'Critical' Phase of Medieval Polyphony]]> http://ml.oxfordjournals.org/cgi/content/short/87/2/262?rss=1&ssource=mfc May 1, 2006; 87:262-294
Review-Article]]> David Maw 2006-05-01 10.1093/ml/gci233 Oxford University Press <![CDATA[Pilgrimages to Beethoven: Reminiscences by His Contemporaries]]> http://ml.oxfordjournals.org/cgi/content/short/84/1/19?rss=1&ssource=mfc Feb 1, 2003; 84:19-54
Articles]]> K. M. Knittel 2003-02-01 10.1093/ml/84.1.19 Oxford University Press <![CDATA[Facts, Fantasies, and Fictions: Recent Shostakovich Studies]]> http://ml.oxfordjournals.org/cgi/content/short/86/3/452?rss=1&ssource=mfc Aug 1, 2005; 86:452-460
Review-Article]]> Pauline Fairclough 2005-08-01 10.1093/ml/gci070 Oxford University Press <![CDATA[Handel's Operas 1726-1741. By Winton Dean.]]> http://ml.oxfordjournals.org/cgi/content/short/89/3/474?rss=1&ssource=mfc Aug 1, 2008; 89:474-476
Reviews of Books]]> Fiona McLauchlan 2008-08-01 Oxford University Press <![CDATA[Comparative Organography in Early Modern Empires]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/372?rss=1&ssource=mfc Aug 1, 2009; 90:372-398
Articles]]> David R. M. Irving 2009-08-01 Oxford University Press <![CDATA[Music in the Galant Style. By Robert O. Gjerdingen.]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/468?rss=1&ssource=mfc Aug 1, 2009; 90:468-473
Reviews of Books]]> W. Dean Sutcliffe 2009-08-01 Oxford University Press <![CDATA[Monteverdi, Marenzio, and Battista Guarini's 'Cruda Amarilli']]> http://ml.oxfordjournals.org/cgi/content/short/89/3/311?rss=1&ssource=mfc Aug 1, 2008; 89:311-336
Articles]]> Massimo Ossi 2008-08-01 Oxford University Press <![CDATA[REVIEWS OF BOOKS]]> http://ml.oxfordjournals.org/cgi/content/short/79/1/126?rss=1&ssource=mfc Feb 1, 1998; 79:126-127
Articles]]> SUZANNAH CLARK 1998-02-01 10.1093/ml/79.1.126 Oxford University Press <![CDATA[IRONY AND BORROWING IN HANDEL'S 'AGRIPPINA']]> http://ml.oxfordjournals.org/cgi/content/short/80/4/531?rss=1&ssource=mfc Nov 1, 1999; 80:531-559
Articles]]> JOHN E. SAWYER 1999-11-01 10.1093/ml/80.4.531 Oxford University Press <![CDATA['Ah Clara, I am not worthy of your love': Rereading 'Frauenliebe und Leben', the Poetry and the Music]]> http://ml.oxfordjournals.org/cgi/content/short/87/4/580?rss=1&ssource=mfc Nov 1, 2006; 87:580-605
Articles]]> Elissa S. Guralnick 2006-11-01 10.1093/ml/gcl080 Oxford University Press <![CDATA[Unresolved]]> http://ml.oxfordjournals.org/cgi/content/short/90/4/535?rss=1&ssource=mfc Nov 1, 2009; 90:535-554
Articles]]> Jesse Rodin 2009-11-01 Oxford University Press <![CDATA['A Present for the Ladies': Ovid, Montaigne, and the Redemption of Purcell's Dido]]> http://ml.oxfordjournals.org/cgi/content/short/84/2/189?rss=1&ssource=mfc May 1, 2003; 84:189-208
Articles]]> Wendy Heller 2003-05-01 10.1093/ml/84.2.189 Oxford University Press <![CDATA[The Cantatas of J. S. Bach. With their Librettos in German-English Parallel Text. By Alfred Durr; revised and translated by Richard D. P. Jones.]]> http://ml.oxfordjournals.org/cgi/content/short/89/4/620?rss=1&ssource=mfc Nov 1, 2008; 89:620-622
Reviews of Books]]> Matthew Dirst 2008-11-01 Oxford University Press <![CDATA[Defining the Term 'Absolute Music' Historically]]> http://ml.oxfordjournals.org/cgi/content/short/90/2/240?rss=1&ssource=mfc May 1, 2009; 90:240-262
Articles]]> Sanna Pederson 2009-05-01 Oxford University Press <![CDATA[The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender]]> http://ml.oxfordjournals.org/cgi/content/short/89/1/1?rss=1&ssource=mfc Feb 1, 2008; 89:1-17
Articles]]> Regula Hohl Trillini 2008-02-01 Oxford University Press <![CDATA[Music and the Aesthetics of Modernity: Essays. Ed. by Karol Berger and Anthony Newcomb.]]> http://ml.oxfordjournals.org/cgi/content/short/88/3/498?rss=1&ssource=mfc Aug 1, 2007; 88:498-502
Reviews of Books]]> Julian Johnson 2007-08-01 10.1093/ml/gcl129 Oxford University Press <![CDATA[Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. By Alexandra Pierce. * Sound in Motion: A Performer's Guide to Greater Musical Expression. By David McGill.]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/526?rss=1&ssource=mfc Aug 1, 2009; 90:526-527
Reviews of Books]]> Raymond Monelle 2009-08-01 Oxford University Press <![CDATA[BACH'S E MAJOR VIOLIN CONCERTO RECONSIDERED]]> http://ml.oxfordjournals.org/cgi/content/short/XXXVIII/1/53?rss=1&ssource=mfc Jan 1, 1957; 38:53-65
Articles]]> WILFRID POOK 1957-01-01 10.1093/ml/XXXVIII.1.53 Oxford University Press <![CDATA[JOHANNES DE GROCHEO'S 'MUSICA VULGARIS']]> http://ml.oxfordjournals.org/cgi/content/short/79/1/1?rss=1&ssource=mfc Feb 1, 1998; 79:1-26
Articles]]> ROBERT MULLALLY 1998-02-01 10.1093/ml/79.1.1 Oxford University Press <![CDATA[THE CLEMENTI-CRAMER DISPUTE REVISITED]]> http://ml.oxfordjournals.org/cgi/content/short/56/1/47?rss=1&ssource=mfc Jan 1, 1975; 56:47-54
Articles]]> JERALD C. GRAUE 1975-01-01 10.1093/ml/56.1.47 Oxford University Press <![CDATA[Musicology and Critical Theory: The Case of Wagner, Adorno, and Horkheimer]]> http://ml.oxfordjournals.org/cgi/content/short/87/1/52?rss=1&ssource=mfc Jan 1, 2006; 87:52-71
Articles]]> Nicholas Baragwanath 2006-01-01 Oxford University Press <![CDATA[The String Quartets of Beethoven. Ed. by William Kinderman.]]> http://ml.oxfordjournals.org/cgi/content/short/88/3/511?rss=1&ssource=mfc Aug 1, 2007; 88:511-515
Reviews of Books]]> Glenn Stanley 2007-08-01 10.1093/ml/gcl118 Oxford University Press <![CDATA[The Need for Latin Textual Scholarship in Renaissance Musicology]]> http://ml.oxfordjournals.org/cgi/content/short/90/2/205?rss=1&ssource=mfc May 1, 2009; 90:205-214
Articles]]> Demmy Verbeke 2009-05-01 Oxford University Press <![CDATA[What Kind of Theory is Music Theory? Epistemological Exercises in Music Theory and Analysis. Ed. by Per F. Broman and Nora A. Engebretsen.]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/521?rss=1&ssource=mfc Aug 1, 2009; 90:521-525
Reviews of Books]]> Raymond Monelle 2009-08-01 Oxford University Press <![CDATA[DEBUSSY'S TWO SETTINGS OF 'CLAIR DE LUNE']]> http://ml.oxfordjournals.org/cgi/content/short/XLVIII/3/229?rss=1&ssource=mfc Jul 1, 1967; 48:229-235
Articles]]> ROGER NICHOLS 1967-07-01 10.1093/ml/XLVIII.3.229 Oxford University Press <![CDATA[Recent Approaches to Experimental Music Theatre and Contemporary Opera]]> http://ml.oxfordjournals.org/cgi/content/short/87/1/72?rss=1&ssource=mfc Jan 1, 2006; 87:72-81
Review-Article]]> Bjorn Heile 2006-01-01 10.1093/ml/gci179 Oxford University Press <![CDATA[Review: The Cambridge Companion to Beethoven]]> http://ml.oxfordjournals.org/cgi/content/short/84/1/106?rss=1&ssource=mfc Feb 1, 2003; 84:106-108
Articles]]> Michael Spitzer 2003-02-01 10.1093/ml/84.1.106 Oxford University Press <![CDATA[Beggar at the Door: The Rise and Fall of Portamento in Singing]]> http://ml.oxfordjournals.org/cgi/content/short/87/4/523?rss=1&ssource=mfc Nov 1, 2006; 87:523-550
Articles]]> John Potter 2006-11-01 10.1093/ml/gcl079 Oxford University Press <![CDATA[The Art of Commedia: A Study in the Commedia dell'Arte 1560 1620 with Special Reference to the Visual Records. By M. A. Katritzky.]]> http://ml.oxfordjournals.org/cgi/content/short/88/4/652?rss=1&ssource=mfc Nov 1, 2007; 88:652-653
Reviews of Books]]> Thomas F. Heck 2007-11-01 10.1093/ml/gcm040 Oxford University Press <![CDATA[Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera. By Naomi Andre.]]> http://ml.oxfordjournals.org/cgi/content/short/89/1/119?rss=1&ssource=mfc Feb 1, 2008; 89:119-121
Reviews of Books]]> Lucy Walker 2008-02-01 10.1093/ml/gcm076 Oxford University Press <![CDATA[Berio's Sequenzas: Essays on Performance, Composition and Analysis. Ed. by Janet K. Halfyard.]]> http://ml.oxfordjournals.org/cgi/content/short/89/4/677?rss=1&ssource=mfc Nov 1, 2008; 89:677-679
Reviews of Books]]> Arnold Whittall 2008-11-01 Oxford University Press <![CDATA[Kutuzov's Victory, Prokofiev's Defeat: The Revisions of 'War and Peace']]> http://ml.oxfordjournals.org/cgi/content/short/90/3/399?rss=1&ssource=mfc Aug 1, 2009; 90:399-431
Articles]]> Nathan Seinen 2009-08-01 Oxford University Press <![CDATA[A Soviet Credo: Shostakovich's Fourth Symphony. By Pauline Fairclough.]]> http://ml.oxfordjournals.org/cgi/content/short/90/3/510?rss=1&ssource=mfc Aug 1, 2009; 90:510-513
Reviews of Books]]> Elizabeth Wilson 2009-08-01 Oxford University Press <![CDATA[MUSIC AND ARCHITECTURE]]> http://ml.oxfordjournals.org/cgi/content/short/II/4/323?rss=1&ssource=mfc Oct 1, 1921; 2:323-331
Articles]]> PAUL WATERHOUSE 1921-10-01 10.1093/ml/II.4.323 Oxford University Press <![CDATA[Bruckner and the Phrygian Mode]]> http://ml.oxfordjournals.org/cgi/content/short/86/1/74?rss=1&ssource=mfc Feb 1, 2005; 86:74-99
Articles]]> Anthony F. Carver 2005-02-01 10.1093/ml/gci004 Oxford University Press <![CDATA[THE ABSOLUTE LIMITATIONS OF PROGRAMME MUSIC: THE CASE OF LISZT'S 'DIE IDEALE']]> http://ml.oxfordjournals.org/cgi/content/short/80/2/207?rss=1&ssource=mfc May 1, 1999; 80:207-240
Articles]]> VERA MICZINK 1999-05-01 10.1093/ml/80.2.207 Oxford University Press <![CDATA[Rewriting the Renaissance: History, Imperialism, and British Music since 1840]]> http://ml.oxfordjournals.org/cgi/content/short/84/2/241?rss=1&ssource=mfc May 1, 2003; 84:241-257
Articles]]> Alain Frogley 2003-05-01 10.1093/ml/84.2.241 Oxford University Press <![CDATA[Capturing Sound: How Technology Has Changed Music. By Mark Katz.]]> http://ml.oxfordjournals.org/cgi/content/short/88/3/539?rss=1&ssource=mfc Aug 1, 2007; 88:539-542
Reviews of Books]]> Simon Trezise 2007-08-01 10.1093/ml/gcl115 Oxford University Press <![CDATA[Music in Brazil: Experiencing Music, Expressing Culture. By John P. Murphy.]]> http://ml.oxfordjournals.org/cgi/content/short/88/4/709?rss=1&ssource=mfc Nov 1, 2007; 88:709-711
Reviews of Books]]> Rogerio Budasz 2007-11-01 10.1093/ml/gcm013 Oxford University Press <![CDATA[Loyalty and Longevity in Audience Listening: Investigating Experiences of Attendance at a Chamber Music Festival]]> http://ml.oxfordjournals.org/cgi/content/short/89/2/227?rss=1&ssource=mfc May 1, 2008; 89:227-238
Articles]]> Stephanie E. Pitts, Christopher P. Spencer 2008-05-01 Oxford University Press <![CDATA[The Creative Development of Johann Sebastian Bach, i: 1695-1717. Music to Delight the Spirit. By Richard D. P. Jones.]]> http://ml.oxfordjournals.org/cgi/content/short/89/4/618?rss=1&ssource=mfc Nov 1, 2008; 89:618-620
Reviews of Books]]> Stephen Rose 2008-11-01 Oxford University Press <![CDATA[CATEGORICAL CONVENTIONS IN MUSIC DISCOURSE: STYLE AND GENRE]]> http://ml.oxfordjournals.org/cgi/content/short/82/3/432?rss=1&ssource=mfc Aug 1, 2001; 82:432-442
Articles]]> ALLEN F. MOORE 2001-08-01 10.1093/ml/82.3.432 Oxford University Press <![CDATA[Johannes Tinctoris and the 'New Art']]> http://ml.oxfordjournals.org/cgi/content/short/84/2/171?rss=1&ssource=mfc May 1, 2003; 84:171-188
Articles]]> Rob C. Wegman 2003-05-01 10.1093/ml/84.2.171 Oxford University Press <![CDATA[Jazz Consciousness: Music, Race, and Humanity. By Paul Austerlitz.]]> http://ml.oxfordjournals.org/cgi/content/short/88/2/335?rss=1&ssource=mfc May 1, 2007; 88:335-340
Reviews of Books]]> Andy Fry 2007-05-01 10.1093/ml/gcl093 Oxford University Press <![CDATA[Living Electronic Music. By Simon Emmerson.]]> http://ml.oxfordjournals.org/cgi/content/short/90/1/120?rss=1&ssource=mfc Feb 1, 2009; 90:120-123
]]> Michael Clarke 2009-02-01 Oxford University Press